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Label Signum Classics |
UPC 0635212045329 |
Catalogue number SIGCD 453 |
Release date 07 July 2017 |
During his journey to circumnavigate the globe Sir Francis Drake took four violin players with him, who played both for his devotions and to the native peoples around the world that they encountered.
Fretwork have commissioned British composer Orlando Gough to recreate this remarkable journey in sound, in a work for viol consort that combines music from 16th century England with the ‘sounds’ that these musicians would have heard and perhaps tried to recreate on their journey – from the rebab and the gamelan to the mesmerising chanting of the Native Americans. The result is a musical narrative of one of the most significant achievements of the English golden age and an evocation of the earliest musical encounters between east and west.
This premiere recording is interspersed with narration from The World Encompassed, one of the first literary accounts of the journey, read by Simon Callow.
Een avontuurlijke muzikale reis rond de wereld
Op zijn reis zeilend rond de aarde nam Sir Francis Drake vier gambaspelers mee. Ze begeleidden zijn gebeden en speelden ook voor de inheemse volken die ze overal ter wereld ontmoetten.
Het ensemble Fretwork gaf de Britse componist Orlando Gough opdracht om deze opmerkelijke reis op muziek te zetten voor hun gamba gezelschap. De vraag aan Gough was om de muziek uit het 16e-eeuwse Engeland te combineren met de klanken die Drakes musici tijdens hun reis gehoord moeten hebben en die ze wellicht zelf in hun muziek probeerden na te doen. Klanken van de rebab (een oud tweesnarig strijkinstrument) en de gamelan tot aan het hypnotiserende gezang van de Indianen. Het resultaat is een muzikale vertelling van een van de opvallendste prestaties uit de Engelse Gouden eeuw en een beeldende weergave van de vroegste muzikale ontmoetingen tussen Oost en West.
Verteller Simon Callow onderbreekt deze premièreopname af en toe met teksten uit The World Encompassed, een van de eerste literaire beschrijvingen van de reis.
"Fretwork is het mooiste gamba ensemble op deze planeet", vindt Stephen Pettitt van The London Evening Standard. Weinig andere gezelschappen kunnen de reikwijdte van hun repertoire, dat varieert van de eerste gedrukte muziek uit 1501 in Venetië tot de muziek van dit album, behappen. Hun opnamen van Johann Sebastian Bach kregen buitengewoon veel waardering, maar ze hebben ook muziek van Grieg, Debussy, Sjostakovitsj, Warlock en Britten opgenomen. Sinds hun oprichting in 1985 brengt hun uitgebreide repertoire hen over de hele wereld. De constante hoge kwaliteit van het ensemble, zorgt ervoor dat oude en nieuwe muziek weerklank vindt bij publiek, dat onbekend was met de inspirerende klankwereld van de viola da gamba.
In 2021 Fretwork celebrated its 35th anniversary. In these last three and a half decades, they have explored the core repertory of great English consort music, from Taverner to Purcell, and made classic recordings against which others are judged.
In addition to this, Fretwork have become known as pioneers of contemporary music for viols, having commissioned nearly 50 new works. The list of composers is like the role call of the most prominent writers of our time: George Benjamin, Michael Nyman, Sir John Tavener, Gavin Bryars, Elvis Costello, Alexander Goehr, John Woolrich, Orlando Gough, Fabrice Fitch, Peter Sculthorpe, Sally Beamish, Tan Dun, Barry Guy, Andrew Keeling, Thea Musgrave, Simon Bainbridge, Poul Ruders, John Joubert, Duncan Druce & Nico Muhly.
In 2010 they also curated a week-long concert series of concerts at Kings Place which culminated in the world premier of The World Encompassed by Orlando Gough, a 70-minute piece describing in musical terms Drake’s circumnavigation of the globe in 1577-80.
In 2011, The National Centre for Early Music, in collaboration with the BBC, hosted a competition for young composers to create a four-minute piece for Fretwork. They workshopped the shortlisted pieces at the NCEM in York in October, and then the winning entries were premiered in Kings Place in December 2011. In 2014 they concentrated on the music of John Dowland with a major tour of the UK with one of today’s greatest tenors: Ian Bostridge. They also spent a week in the Britten Studio in Aldeburgh re-working The World Encompassed to incorporate a spoken narrative
drawn from contemporary accounts.
Slow: an In Nomine by Nico Muhly was premiered in 2015 at Kings Place in London, and they collaborated with celebrated actor Simon Callow in the revised version of The World Encompassed and recorded it for Signum Classics.
They celebrated their 30th anniversary with a star-studded concert at Kings Place in June 2016. They also recorded four new albums, including The World Encompassed, and later that year they made
their longest tour of America, taking in the USA, Canada and Colombia.
In 2018 they performed and recorded a programme celebrating the music of Michael Nyman –
who turned 75 in 2019 – with the exceptional counter-tenor, Iestyn Davies. In 2019 they toured
North America with this programme.
That year they also began a series of concerts at Wigmore Hall, called Musick’s Monument, presenting the greatest English consort music from the Golden Age – six concerts ranging from Taverner to Purcell. The 2020 pandemic curtailed most groups plans and activities, and Fretwork saw its fair share of cancellations; but it was fortunate to receive support from Arts Council England’s Emergency fund, and then to be able to present a live-streamed concert with Iestyn Davies from the National Centre for Early Music in York, a programme of Dowland’s Lachrimae from Wigmore Hall and premier a new work by Led Zeppelin’s John Paul Jones in the Early Music Festival in Blackheath. They also pressed ahead with more recording once lockdown restrictions were eased.
They performed at Wigmore Hall twice in 2021, including a performance on Good Friday, the first from Wigmore on that date for many decades, of Johann Sebastiani’s St Matthew Passion. They have also been awarded a substantial grant from Arts Council England to continue and maintain the continuity of their work.
They premiered their new project, Albion, in Kings Place in November 2021. It is a reflection on English identity as seen through the musics of various ages and ethnicities. They invited ten composers – Orlando Gough, Yfat Soul Zisso, Sally Beamish, Gabriel Prokofiev, Sarah Dacey, Talvin Singh, Blasio Kavuma and others – to arrange iconic pieces of English music. This included works such as Overload by the Sugababes, Land of Hope and Glory, London Calling by The Clash, Sailing By by Ronald Binge and When All Is Said and Done by Napalm Death. These are then linked and amplified with live electronics, creating an impressionistic tableau that explores and questions English identity. While they used to fly all over the globe, they have now committed to reducing their carbon footprint by travelling in Europe only by train or electric cars - this year they have toured Germany, France & Spain, Austria & Slovenia in their two Teslas.